Beschreibung

Wir schreiben das Jahr 1600, der Schauplatz ist Japan: Als Fürst Yoshii Toranaga um sein Leben kämpfen muss, nachdem sich seine Feinde im Regentschaftsrat gegen ihn verbündet haben, strandet in einem nahegelegenen Fischerdorf ein mysteriöses europäisches Schiff.

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Shōgun Bewertungen

The original Shogun, the series, from 1980 like the novel it was based upon,by James Clavell, was a masterpiece. It worked because of tight coherent storytelling, compelling characterisations and intelligent narrative, that very wisely took its inspiration and direction, from the novel it was based upon. Then along lumbers this latest effort. Its manages to partly shift its focus away from the relationship between the pilot John Blackthorne and Lord Toranaga. In so doing, diffusing a key focal point of the story. A story which is essentially about the collision of Western and Eastern societies and cultures, which resonates in this period of Japanese history and beyond. The other key aspect of the original story that no longer works as well, was one of ultimately tragic love between Blackthorne and Lady Mariko. Mariko is a courtier who relies on her skill as a negotiator, to influence those around her. We see this clearly in the book and the original series. Instead, we now get a shift towards female warriors, which might reflect modern expectations but not those of Japan in the 1600s. Yes, there were female warriors in this period but they were not courtiers, trained in the art of diplomacy. Their role was in defence of the home, when male Samurai were absent or had fallen in battle, guarding women at court and at times, they were found on the battlefield. Suffice to say, the new revised Mariko is anything but diplomatic. She rebukes male Samurai in the opening episode in the way that is jarringly and unconvincingly, at odds, with the talents, that define this character who is able to delicately and intricately navigate the conspiracies and intrigue, of courtly life. The result is a series that feels clumsy and monotonous but also rather ignorant. The narrative in many cases does not work well, because the new series has discarded many of the subtleties and intrigue inherent in this tale, that are as much a weapon of the Japanese nobles, as the spear, bow and sword. Acting in this series is excellent, sets admittedly amazing and visuals often spectacular. Regrettably the degree of meddling in the underlying story, for this reviewer, ruins what could have been, a promising updated series. In summary. Lavish sets, stunning visuals and quality acting cant overcome flawed, revisionist storytelling. The result feels awkward, unbalanced and lacking in coherence and direction. My advice, read the remarkable book and watch the wonderful series from 1980.

MovieGuys

The level of historical accuracy in this show is astounding. Much attention to detail in the clothing, architecture, armaments, and cultural practices. It neither romanticizes nor condemns 16th century Japanese culture, it simply portrays it, good and bad, side by side. All the actors are doing a fantastic job. Im a little underwhelmed with Sanada Hiroyukis character, i feel he has been underutilized. The actors performance is great, but i think the Toranaga character is not particularly complex in his portrayal. Abe Shinnosuke, Satō Tadanobu, and Hoshi Moeka are stand outs, turning secondary roles into amazingly deep side-stories.

alexmack667

Shogun is the new benchmark for epic television. In the realm of historical dramas, FXs Shogun stands tall as a monumental achievement in television. The series, an adaption of James Clavells beloved novel, will no doubt be met with acclaim for its riveting performances, exceptional writing, and meticulous attention to cultural (and historical) authenticity. The 1980s adaptation of Shogun was a product of its time, focusing heavily on the character of Anjin, the English navigator. While it was a remarkable piece of television for its era, it deviated from the novels core narrative by sidelining Yoshii Toranaga, the enigmatic power player in feudal Japan. The 2024 series corrects this course, placing Toranaga at the center of the narrative, and the series is all the better for that. Shogun 2024 is a standout even in what many consider the golden age of television epics. Its been compared to HBOs Game of Thrones, but Shogun carves out its own identity with a more focused narrative and a refined storytelling approach. The series does not shy away from depicting the eras inherent violence and sensuality, yet it does so with a sophistication that sets it apart, akin to the artful precision of sashimi versus the hearty mix of a stew. The performances are nothing short of extraordinary, elevating Shogun to new heights. Hiroyuki Sanada, renowned for his role in The Last Samurai, embodies the master strategist warlord Toranaga with an intensity that captivates the audience. Sanadas portrayal is nuanced, oscillating between menacing and endearing, showcasing a range that few actors achieve. Cosmo Jarviss portrayal of the English sailor Anjin is less compelling. His characters journey from a shipwrecked outsider to a pivotal chess piece in the political machinations of feudal Japan is portrayed with an raw energy. Of the main cast, he falls into the background to an extent but his scenes with brilliant Tadanobu Asanos Yabushige are great. Both characters are more antagonists than protagonists but I doubt theyll outlive their welcome to most viewers. However, it is Anna Sawai who delivers the truly standout performance. Known for her roles in Fast and the Furious and Apple TVs Pachinko, Sawai shines as both the translator for Anjin and the audiences guide through the intricate world of Shogun. Her character is not merely a conduit for understanding; she is integral to the unfolding events, leaving an indelible mark on the series. Shogun 2024 is a triumph of storytelling, a testament to the power of well-crafted historical drama. It is a series that not only respects its source material but also elevates it. This is a series that will be remembered and celebrated, a jewel in the crown of televisions current golden age. We may not know it yet, but this series might well be its peak. [Note there is a companion podcast series, which much like the HBO series Chernobyl, is very good. Highly recommend this too.]

ineffable_tmdb

I preferred the original but this was so so good.

Danasibyl

Shogun is a miniseries produced by FX, based on the famous 1975 novel of the same name. With a first season of 10 episodes, I can only applaud and appreciate the privilege of witnessing such a well-made production, with a fascinating script and an impressive setting. The series follows the adventure of John Blackthorne, an English pilot who shipwrecks with his crew in Japan in 1600. This story serves as a thread to immerse ourselves in a sea of intrigues, betrayals, and power struggles between the fiefs over the future of the nation. The series carefully presents the cultural conflict faced by the Portuguese people in their mission of evangelization in Japan. In addition, it shows us the severity, the courage and a concept of honor that sometimes seemed uncomfortable and impressive to me. The respect for families, the honor of the legacy, and the excellent female roles in a raw and masculine world, sometimes provoke the desire to stand up and applaud. Shogun has the level of production, the war intensity and a carefully developed script that resembles a great saga. In my opinion, it is one of the highest points of television in recent years, which is a great achievement in todays times.

Felipe Aguilera

**A true masterpiece** After experiencing years of fatigue from Marvel & DC, along with pervasive Hollywood trends and tiresome moral lectures in entertainment, I have finally discovered something original, unapologetic, and genuinely captivating. This series is a refreshing change, offering a tightly woven storyline, brilliant acting, meticulously chosen dialogues, stunning cinematography, excellent pacing, and masterful editing and direction. It exceeded all my expectations. The female characters exemplify strength and bravery. Mariko Sama’s fight in episode 9 still gives me goosebumps—its one of the most courageous scenes ever created. Fuji Sama’s emotional resilience is equally commendable, showcasing true perseverance. This is how strong and independent women should be portrayed. Overall, this series is a true masterpiece, rekindling hope that creativity in entertainment is very much alive.

dumasori

Filmschlüsselwörter
japan civil war based on novel or book samurai interpreter miniseries fish out of water jidaigeki historical drama shipwrecked sengoku period feudal japan 17th century
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