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Considérée comme une immigrante ordinaire, Catherine de Médicis, alors adolescente orpheline, est mariée à la cour française du XVIe siècle pour apporter une fortune en dot et produire de nombreux héritiers. Mais elle va rapidement découvrir que son mari est amoureux d’une femme plus âgée, que sa dot n’est pas payée et qu’elle est dans l’impossibilité de concevoir un enfant. Pourtant, ne comptant que sur son intelligence et sa détermination, elle parvient à maintenir son mariage à flot et à maîtriser, mieux que quiconque, le sport sanguinaire qu’est la monarchie durant 50 ans.

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The Serpent Queen avis

In spite of superficially, being a tale about 16th century Italian noblewoman Catherine de Medici, who eventually became a French Queen, looking at this production you might be forgiven for thinking you were at watching a polished historical larpers party, in 21st century woke England. Theres nothing terribly Italian about this series. Its vibe is very Brit down to its boots and sadly, this tends to undermine the presentation of what is supposed to be an Italian historical drama. Its cause is further weakened by the predictable and tiresome revisionist perspective, it adopts, laden down with historically inaccurate woke twaddle. Making Catherine out to be an empowered woman in the modern feminist idiom, facing down the patriarchy, fails to acknowledge who she was and that, essentially, was a ruthless noblewoman and ruler. Anyone wanting to shed woke crocodile tears for poor oppressed Catherine, need only read some of her rather terrifying and chilling letters. All of this is a shame and rather wasteful, in my view, given the quality casting and high production values. In summary, blindly revisionist nonsense, any half decent historian would write off for the historical fiction, it truly represents.

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