Actress (b. Valladolid, Spain, Dec. 3, 1953). After having studied simultaneously Philosophy and Art and Speech (both careers remained unfinished), she became a household name overnight as one of the pretty and bespectacled hostesses of the top-rated TV contest 1, 2, 3, Responda Otra Vez, where she popularized what was going to be her early screen persona platinum blonde-dyed hair, provocative ways and a sensuality always ready to break out. She made her film debut in 1972, at 19, and acquired an enormous popularity thanks to her tremendous sex-appeal and a clever promotion campaign that exploited a certain similarity between her looks and those of the late Marilyn Monroe to the extent of making a successful movie named precisely The New Marilyn (1976). She kept this image for a while (especially in her spectacular TV appearances in the mid-70s), but eventually got tired of it and decided to cut off her hair completely (she did it herself with a pair of scissors borrowed from a filming kit) and let it grow its natural dark colour again. Blonde or brunette, Lys grabbed a long string of femme fatale roles in films of each and every genre (thrillers, comedies, dramas, westerns, etc.) and turned into some kind of domestic myth at that time. (She also had the advantage of owning a fine diction that matched her thought-provoking voice perfectly, so, unlike some other actresses of that era, she didnt need to be dubbed.) Anyway, after leading her bold image one step further in the late 70s, she decided to stop making films and concentrate on her theatrical work, that she had started in 1973 playing Dª Inés de Ulloa in Zorrillas Don Juan Tenorio with her own company. In the 1980s she focused her activity on recording music (which she did with real gusto and vocal dexterity), performing in both musical shows and dramatic or comic plays in which she displayed an image far removed from the one that shot her to fame and even making more sporadic appearances on TV (playing, for example, a splendid Portia on a small-screen adaptation of Shakespeares The Merchant Of Venice). The late 80s saw her returning to the movies and scoring some films of uneven success and quality, although she has always risen to the occasion. In any case, she is still an underestimated actress, though she has proved capable of giving such amusing characterizations as that of Avisa A Curro Jiménez (1978), where she seemed almost unrecognizable. Now she leads a rather reclusive life when not working (in contrast to the antics and eccentricities of her early career) and, although she has never married, she enjoys a very stable relationship with Fernando, her partner of some 20 years. Hers is really one of those examples of body-with-a-brain-on-top-to-match, and hopefully she will still be around for a large number of years.- IMDb Mini Biography By alberto mallofré
(uncredited)
Film 1972
Veronica
Film 1978
Asunción
Film 1974
Reme
Film 1996
Sole
Film 1996
Ingrid Cogan
Film 1973
Yolanda / Agata
Film 1973
Mónica
Film 1976
Henriette
Film 1978
Chica sexy
Film 1974
Lona
Film 1977
Ethel
Film 1975
Adela Martínez
Film 1976
Doña Pura
Film 1984
Charo
Film 1973
Margot
Film 1973
Charo
Film 1978
Susana
Film 1976
Adela
Film 1978
Ángela
Film 1977
Margot
Film 1978
Marion
Film 1976
Andrea Ray
Film 1977
Elisa
Film 1976
Marga
Film 2001
Helen
Film 1974
Sharon
Film 1974
Film 1976
Tania
Film 1997
Cati
Film 1974
Puri
Film 2004
Laura
Film 1974
Teresa
Film 1976
Cristina
Film 1977
Licenia
Film 1976
Viuda Anglada
Film 1996
Antonietta Pickford
Film 1971
Film 1975
Pastora
Film 2004
Film 1973
María
Film 1975
Princesa
Film 1959
Ágata
Film 1974
Novella Ferraris
Film 1974
Film 1979
Film 1975
(archive footage)
Film 2013
Eulalia de la Torre de Ayala
Tv 2005
Self (archive footage)
Tv 2013
Condesa
Tv 1995
Lula
Tv 1976